Presented at the Morris Performing Arts Center, this exciting Series features some of the classical repertoire’s most popular works and world-renowned soloists.

The South Bend Symphony Orchestra is happy to announce that we will continue to feature five outstanding concerts in the Jack M. Champaigne Masterworks Series – one of which you will receive absolutely FREE when you subscribe.

Kalhor + Brahms

March 4 @ 7:30 pm EST

Kayhan Kalhor performs with emotionally charged “Silent City” paired with yet another passionate work that stirs the soul. Brahm’s Symphony No. 2 evokes optimism and hope with rich, yet joyful melodies.  

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Kayhan Kalhor
“Silent City”

Brahms
Symphony No.2

Coming soon.

About Kayhan Kalhor

Kayhan Kalhor is an internationally acclaimed virtuoso on the kamancheh (spiked fiddle), who through his many musical collaborations has been instrumental in popularizing Persian around the world and is a creative force in today’s music scene. His performances of traditional Persian music and multiple collaborations have attracted audiences around the globe. He has studied the music of Iran’s many regions, in particular those of Khorason and Kordestan, and has toured the world as a soloist with various ensembles and orchestras including the New York Philharmonic and the Orchestre National de Lyon. He is co-founder of the renowned ensembles Dastan and Masters of Persian Music. Kalhor has composed works for Iran’s most renowned vocalists Mohammad Reza Shajarian and Shahram Nazeri and has also performed and recorded with Iran’s greatest instrumentalists. He has composed music for television and film and was featured on the soundtrack of Francis Ford Copolla’s Youth Without Youth in a score that he collaborated on with Osvaldo Golijov. John Adams invited him to give a solo recital at Carnegie Hall as part of his Perspectives Series and he has appeared on a double bill at Lincoln Center’s Mostly Mozart Festival, sharing the program with the Festival Orchestra performing the Mozart Requiem. Kayhan is an original member of Yo-Yo Ma’s Silk Road Project for whom he continues to compose for and tour with. His compositions appear on all of the Ensemble’s albums. His most recent albums include Silent City, collaboration with Brooklyn Rider and I Will Not Stand Alone with santoor player Ali Bahrami Fard. Kayhan has been nominated for three Grammys and in 2017 was awarded a Grammy with Yo-Yo Ma and the Silk Road Ensemble (2017).

Kayhan Kalhor, born in Tehran, began his musical studies at the age of seven under Master Ahmad Mohajer. A child prodigy on the kamancheh, he was invited at the age of thirteen to work in the Iranian National Radio and Television Orchestra, where he performed for five years. At seventeen, Kalhor began working with the Shayda Ensemble of the Chavosh Cultural Center, the most prestigious arts organization at the time in Iran. While performing with Shayda, he continued studying the Iranian classical repertoire (radif) with different masters. In 1978 Kalhor went to Rome to study Western classical music and continued his studies at Carleton University in Ottawa, Canada, where he received a degree in music. He has composed works […]

Beethoven’s Ode to Joy

April 1 @ 7:30 pm EDT

The highly anticipated performance of Beethoven’s majestic Symphony No. 9 is one of the most remarkable masterpieces that rejoices in the autonomy and conquest of the spirit over difficulty.  

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Mason Bates
Ode

Carter Pann
Slalom

Beethoven
Symphony No.9 Coming soon.

About Kiera Duffy 

Kiera Duffy has performed as a soloist with many of the world’s preeminent classical music presenters, including the Berlin Philharmonic, New York Philharmonic, Chicago Symphony, San Francisco Symphony, London Symphony, Metropolitan Opera, Lyric Opera of Chicago, Ungaku-Juku Japan, as well as the Aldeburgh Festival, Ojai Festival of Contemporary Music, Wigmore Hall, Mostly Mozart Lincoln Center, and Chamber Music Society of Lincoln Center. She has performed an extraordinarily wide range of repertoire, and is an especially sought-after interpreter of the work of the European modernists as well as contemporary composers like Caroline Shaw, Mohammed Fairouz, Michael Hersch, Jake Heggie, Grace Evangeline Mason, Rene Orth, Esa-Pekka Salonen, Philip Glass, Unsuk Chin, George Lewis, and Missy Mazzoli, among many others. 

With 20+ years of international-level professional performance experience, she brings firsthand insight to her classroom courses in modern and contemporary vocal literature, lyric diction, performance techniques, and vocal pedagogy, in addition to her work as producer of Opera Notre Dame. In the applied studio she offers students a customized, student-directed approach rooted in the current best practices of voice science and pedagogy. She prioritizes efficient vocal function, stylistic flexibility, depth of artistry, and student goals. Whether as teacher, producer, or performer, her work is distinguished by an engaging, compassionate, and inclusive approach that integrates intellectual rigor with imagination and play. 

About Emma Sorenson 

Lyric mezzo soprano, Emma Sorenson, is currently based in Chicago. Ms. Sorenson was a recent semifinalist in the Lotte Lenya competition hosted by the Kurt Weill Instituted. She also won first place in the Kansas City District Metropolitan Opera Auditions. In the 2019/2020 season, Ms. Sorenson will be featured in her first season as a Chorister at the Lyric Opera of Chicago, associate member of the Chicago Symphony Chorus, ensemble at Chicago Opera Theater and will be reprising her role in the ensemble quartet and understudy for Old Lady in The Knight’s Orchestra’s production of Bernstein’s Candide at the Ravinia Music Festival. 

In previous Chicago seasons, Emma sang the role of Stasi in her debut with Chicago Folk’s Operetta in their production of The Csardas Princess, covered the role of Laura in Chicago Opera Theater’s production of Tchaikovsky’s Iolantha, played Jill All Alone in the Gilbert & Sullivan Company of […]

Rachmaninoff + Tchaikovsky

May 13 @ 7:30 pm EDT

Prepare for an extraordinary experience when Päivi Ekroth takes on the staggering virtuosity of Rachmaninoff’s Piano Concerto No.3 followed by a musical exploration of Tchaikovsky’s Fourth Symphony that explores the concept of Fate as an inescapable force and a blaze of sound. 

 

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Single tickets sales start on August 16, 2022

Rachmaninoff
Piano Concerto No.3

Tchaikovsky
Symphony No.4 Coming Soon.

Päivi Ekroth is a Finnish-born classical pianist whose versatility as an artist has taken her from solo and chamber music performances to serving as a choral accompanist and a vocal coach for opera productions. Music of the Romantic era is often at the center of her solo recitals, but she has performed an extensive amount of solo and chamber music covering a wide variety of repertoire with strings, winds and brass as well as choral, operatic and lied repertoire. Her recent collaborations have included performances with soprano Deborah Voigt and flutist Sir James Galway. She has worked as a Collaborative Pianist at the University of Notre Dame since 2004.

Ms. Ekroth began taking piano lessons at the age of 11, and was already performing with orchestras in Finland soon after. She has performed in Finland, Estonia, Italy, Germany, China, New Zealand and the United States appearing at festivals such as the Ruhr Keyboard Festival, Settimane Musicali di Stresa e del Lago Maggiore, the Mikkeli Music Festival, the New Jersey Symphony’s Rachmaninoff Festival, the Music Academy of the West, the Ravinia Festival and the Irving S. Gilmore International Keyboard Festival as part of the “Rising Stars” series broadcast on the National Public Radio (NPR). She performs regularly at Notre Dame’s various venues, and other local performances have included large-scale solo recitals in the DeBartolo Performing Arts Center as well as a solo engagement with the South Bend Symphony in 2014.

Päivi has called South Bend her home since 1996, when she joined the world-renowned Alexander Toradze Piano Studio at Indiana University South Bend. While studying there she earned a Master’s degree and an Artist Diploma in piano performance and also served on the piano faculty. She was awarded a Performer’s certificate in recognition of performance excellence in piano by the Division of the Arts at Indiana University South Bend. Ms. Ekroth also holds a Master’s degree from the University of Notre Dame as well as Bachelor’s and Master’s degrees from the Sibelius-Academy, Finland, where she studied with Sirkka Harjunmaa and Matti Raekallio.

Päivi Ekroth has been a recipient of numerous awards from organizations such as The Arts Council of Kymi, The Arts Council of Finland, The Alfred Kordelin Foundation and The Finnish Cultural […]