Octet is a proof of concept. Originally a response to the global pandemic, the result transcends this period. The idea is this: eight musicians record as a small, socially distanced ensemble. After a sound engineer channels each musician through a unique speaker, the system is set in a large circle, allowing listeners the freedom to explore each instrumentalist’s part or stand centrally in the space and experience the musical blend. The project employed Symphony musicians during a time of severely limited work opportunities, and the high-fidelity speakers and immersive soundscape offer patrons a completely new perspective on music.

“Not only is this one solution to music-making during a pandemic, but we can take the system – which is small enough to be portable – into schools, libraries, hospitals, etc. It works as an amazing education and community engagement tool as well,” said Halle McGuire, project lead for the Symphony.

Through the support of the Lippert Cares Community Impact Grant, the South Bend Symphony Orchestra is currently exploring the music therapy applications of Octet. Substantial research demonstrates the positive effects music has on mental health. As a result, we are bringing Octet into schools, libraries, and healthcare settings to promote the mental well-being of students K-12, bringing the calming effects of Classical music out of the concert hall. If you would like to bring Octet to your organization, please contact info@southbendsymphony.org.

 

Local Composers Collection 

Eli Kahn – The Life Cycle of Grass 

Jorge Muñiz – Voiliers  

Carmen Téllez – A Dance for Seurat (Read by Nancy Menk) 

Jessica T. Carter – Shadows  

Zae Munn – Ceasefire  

John Liberatore – Que Seurat Sera 

Marjorie M. Rusche – The Gamboling Girl 

 

African American Composers Collection 

William Grant Still – Danzas de Panama 

William Grant Still – Miniatures for Woodwind Quintet 

  1. I Ride an Old Pain (U.S.A.) 
  1. Yaravi (Peru)

Jimi Hendrix, arr. Naughtin – Purple Haze