Appalachian Spring + Silk Road
January 12, 2025 / 2:30 p.m.
Experience the timeless beauty of Copland’s iconic masterpiece, Appalachian Spring, as it vividly portrays the American landscape. Kojiro Uzmezaki joins the Symphony as he uses the shakuhachi to transform the landscape imagined in Angel Lam’s Empty Mountain, Spirit Rain, and Takuma Itoh’s Faded Aura. Program KOJIRO UMEZAKI (Cycles) What Falls Must Rise ANGEL LAM Empty Mountain, Spirit Rain I. Silent Field II. Rain TAKUMA ITOH Faded Aura COPLAND Appalachian Spring I. Very Slowly II. Allegro III. Moderato IV. Quite Fast V. Subito Allegro VI. Meno Mosso VII. Doppio movimento VIII. Coda. Moderato Program Notes (Cycles) What Falls Must Rise KOJIRO UMEZAKI Born: 1968, Tokyo, Japan Composed: 2009 Premiered: 2009, Dartmouth College, Hanover, New Hampshire Duration: 13 –14 minutes As the reference to cycles in the title suggests, the setup for this piece is one of perpetually constrained motion with high and low points, which, on the surface, seems antithetical to notions of enlightenment and transcendence. Nevertheless, in the original work commissioned in 2009 by the Hopkins Center for the Arts at Dartmouth College and written for shakuhachi and the ground-breaking string quartet Brooklyn Rider, a descent inspired by the “Sagariha” melody is followed by modes and rhythms lying somewhere between the foreign and familiar, ascending in energy only to arrive back again at the top, ready for the inevitable next iteration of falling and rising again. This 2024 arrangement of Cycles: What Falls Must Rise for orchestra starts somewhere in the cycle and ends elsewhere, the exact points to be revealed in the performance. – Kojiro Umezaki, 2024 Empty Mountain, Spirit Rain ANGEL LAM Born: August 2, 1978, Hong Kong Composed: 2006 Premiered: 2006, Carnegie Hall, New York, New York Duration: 13-14 minutes Angel Lam, New York-based Hong Kongborn composer, has composed for artists and ensembles such as Yo-Yo Ma, Aldo Parisot, The Silk Road Ensemble, and many others. She shares, “This piece is ...